Calligraphy – many inks can be used with calligraphy. The ornate lettering styles of calligraphy, however, require special shaped pen nibs.
There are some ink terms that require explanation:
India Ink – not necessarily from India, this term just means that it is black ink derived from charred vegetable oil. India ink is the most popular drawing ink.
Waterproof – many inks are waterproof, and some are not. It is very important to know which type to achieve desired performance.
Artist’s Pen – many artist’s pens are rechargeable, meaning that they don’t carry their own supply of ink but must be dipped into ink before applying strokes of color.
Technical Pen – many technical pens require refilling. Be sure to use ink specifically designed for this purpose, as ink that is too thick will clog the fine nibs of the pen.
Pen Basics
Unlike the pens mentioned under Ink Basics, which require filling or charging with ink, these pens come with their own ink supply.
The types of pens you will encounter are:
Art Markers – multicolored, sometimes dual tipped pens, typically dispensing water-based ink. Examples are Prismacolor markers, Tombow Dual Brush Pens, Pentel Markers.
Paint Pens – thick, opaque Xylene-based pens. Designed for marking on glass and other non-porous surfaces.
Gel Rollers – opaque inks, designed to be used for scrapbooking, journaling, and especially effective on black paper.
Artist’s and Technical Pens (disposable) – pre-filled pens in a variety of nib sizes, for pen and ink drawing, drafting, and commercial layout.
Calligraphy Pens (disposable) – pre-filled pens with a variety of nibs for creating the elaborate writing style characteristic of calligraphy.
Permanent Markers – waterproof markers for shipping labels, and for marking fabric, cardboard and boxes. Sharpie is an example of a permanent marker.
A Word About Toxicity
If there is concern about toxicity, a water-based marker, such as the Pentel art marker, the Sharpie permanent marker, and many of the artist’s, technical and calligraphy pens are the best choices. Markers containing alcohol or Xylene, aside from having a strong odor, may be toxic if ingested or inhaled.
Charcoal Basics
Charcoal is what remains when organic matter is burned. Natural artist charcoal is of willow or vine, and manufactured charcoal is ground with binders and compressed into sticks or pencils.
Artists use charcoal in its many forms to create varying shades of gray and black in their art. The sides of charcoal can be used for broad strokes, while the tips (or the sharpened ends of charcoal pencils) can be used for more precise lines and details.
Note: Charcoal is a friable medium, meaning it’s crumbly and has no binder to hold it to the art surface. Instead, it wedges into the tooth of the art surface, and any particles that are not wedged in will fall off. Fixative can minimize the fall off of charcoal particles, but it can also change the color of the art surface.
Pastel Basics
Pastel is a broad category in the realm of Drawing Media. Some of the types of pastel you will encounter are:
Chalk or Soft Pastel – pigment mixed with dry, non-adhesive binder. Chalk and soft pastels are friable media, and as mentioned under Charcoal, may require fixative.
Oil Pastel – pigment mixed with very dense oil binder. May be applied to the art surface dry for a drawing effect, or may be painted over with turpentine or other oil solvents for a wash effect.
Conte Crayon – pigment mixed with non-adhesive binder and wax. Performs like a cross between a chalk pastel and a child’s wax crayon (Crayola). The addition of wax makes this medium much less friable, and consequently, much less apt to fall off the art surface.
Pencil Basics
Pencils can be categorized by what’s inside: the core. Different cores make different marks on the art surface.
The cores of artist pencils are:
Graphite – like a writing pencil, in hardness from H (hard) thru HB (medium) to B (soft). The softer the graphite, the darker the mark. For sketching and drawing.
Charcoal – as described under Charcoal, but compressed and encased in wood. Cleaner and more controllable than regular charcoal.
Pastel – chalk or soft pastel, as described under Pastel, but compressed and encased in wood. Cleaner and more controllable than regular chalk or soft pastel.
Colored Polymer – colored pencils fall under this category. Pigment is mixed with a polymer binder and encased in wood. For colored sketching and drawing.
Dry Watercolor – similar in appearance to colored polymer pencils, but the binder is water-soluble. May be applied dry, for a drawing effect, or may be washed or blended with a wet brush for a softer effect.
Wax – China markers, grease pencils and other media designed for marking non-porous surfaces.
Some Pencil Pointers
Hardness – as mentioned earlier, graphite pencils are rated on hardness: H (hard), HB (medium), and B (soft). The softer the lead, the darker the mark. H and B leads are also rated by number: 2B, 6H, etc. The higher the number, the harder an H lead is, and the softer a B lead is
Drawing Accessories – products to enhance the drawing experience:
Fixative – sticky spray that helps to hold friable charcoal and pastel to the art surface
Stump – pointed, solid sticks of soft paper, used for blending and shading
Tortillon- strips of soft paper tightly wound into a spiral with a tapered point. Used like stumps
Kneaded Eraser – soft pliable rubber that can be worked into any shape. Reshaping makes clean surfaces. For correction, creating highlights, etc.
Sandpaper Block – layers of sandpaper attached to a flat wood handle. The topmost sheet is removed as it wears out or becomes dirty. Used to sharpen pastels, stumps and to provide dust for the indirect method of drawing, which is to sand dust off pastel, charcoal, etc. and apply this dust to the art surface with a brush.
Features and Benefits of Drawing Media:
Items | Features | Benefits |
Calligraphy Pens | Wide, flat nib for writing ornate script | Allows customer to reproduce old writing styles and use ornate lettering for invitations, etc |
Chalk or Soft Pastels | Pigment in dry, crumbly binder | Creates works of soft strokes and subtle tone variations |
Charcoal | Burnt plant matter in stick form | Narrow end produces more detailed strokes, while long side makes for wide sweeps of black and gray |
Charcoal Pencils | Charcoal encased in wood | Cleaner than bare charcoal, and easier to sharpen for more detailed work |
Colored Pencils | Pigmented polymer encased in wood | Pencil form and wide variety of colors allows for great creative expression and ease and cleanliness of use |
Disposable Pens (pre-filled) | Doesn’t have to be refilled in an ink well or with cartridges | Less clean up than refillable pens, and wont skip, stutter and blot like dipped pens tend to do |
Fixative | Sticky spray for friable media | Helps hold the particles of pastel and charcoal to the art surface, maintaining the artwork’s integrity and keeping it (and its surroundings) cleaner |
Graphite Pencils | Graphite colored pencils in varying degrees of hardness | Graphite is erasable, so easy to fix errors. Assortment of hardnesses gives the customer greater ability to effectively express their vision |
Oil Pastels | Pigment in thick oil binder | Rich colors that adhere to the art surface, and may be washed with oil solvent for “oil paining” look |
Paint Markers | Opaque and designed for use on non-porous surfaces | Great to mark on glass and wont wear off of acetate or other plastics |
Pastel Pencils | Chalk or soft pastels encased in wood | Cleaner than bare soft pastel, easier to control strokes on art surface |
Permanent Pens | Ink wont run or fade | Great for marking laundry, or other materials that may be subject to moisture |
Stumps and Tortillons | Soft, rounded or pointed paper sticks | Makes blending colors and softening edges easier |
Technical Pens | Variety of nib sizes and excellent ink flow | Creates sharp, even lines for drafting, commercial art and detailed drawing |
Water-Based Markers | Non-toxic | Safe for children and those concerned about toxicity |
Glossary
Artist’s Pen | A pen (disposable or rechargeable) designed to make the type of strokes used in pen and ink drawing. Many artist’s pens have interchangeable nibs |
Charcoal | Burnt plant matter, either natural or compressed into sticks |
Fixative | Sticky spray that helps hold friable media to the art surface |
Friable Media | Flaky, non-adhesive media. Friable media may require a fixative to help it adhere to the art surface |
Grease Pencil | A waxy pencil used to mark glass, porcelain and other non-porous surfaces |
Hardness | A way of rating the darkness or lightness of a pencil’s stroke. H is hard (light), HB is medium (mid-tone), and B is soft (dark) |
India Ink | Black, waterproof ink made from charred vegetable oil |
Nib | The tip of a pen. Some pens, such as technical and calligraphy pens, have interchangeable nibs so the artist can use the same pen for many different strokes |
Oil Pastel | An adhesive medium of pigment mixed with oil binder |
Soft Pastel | A friable medium of pigment mixed with non-adhesive binder, compressed into stick form |
Stump | A solid, soft paper stick, same uses as a tortillon |
Technical Pen | A pen (disposable or rechargeable) designed to make the type of strokes used in graphic arts and drafting. Many technical pens have interchangeable nibs |
Tortillon | A tightly wound, spiral piece of soft paper used to blend and soften most types of drawing media (except inks and pens) |